{"id":682,"date":"2019-10-23T18:27:21","date_gmt":"2019-10-23T16:27:21","guid":{"rendered":"http:\/\/iksi.strony.uw.edu.pl\/?page_id=682"},"modified":"2025-09-26T11:54:36","modified_gmt":"2025-09-26T09:54:36","slug":"dr-hab-tomasz-lysak","status":"publish","type":"page","link":"http:\/\/iksi.uw.edu.pl\/de\/pracownicy\/dr-hab-tomasz-lysak\/","title":{"rendered":"prof ucz. dr hab. Tomasz \u0141ysak"},"content":{"rendered":"<div class=\"su-tabs su-tabs-style-default su-tabs-mobile-scroll su-tabs-vertical\" data-active=\"1\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-tabs-nav\"><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Informacje<\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Przebieg kariery<\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Zainteresowania naukowe<\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Wybrane publikacje<\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Linki do osobistych profili naukowych\/zawodowych<\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Wi\u0119cej<\/span><\/div><div class=\"su-tabs-panes\"><div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Informacje\">\n<div class=\"su-table su-table-responsive su-table-alternate su-table-fixed\">\n<table style=\"width: 20.8011%\">\n<tbody>\n<tr>\n<td style=\"width: 35.1064%\"><strong>ORCID<\/strong><\/td>\n<td style=\"width: 68.4397%\"><a href=\"https:\/\/orcid.org\/0000-0002-5476-4917\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/orcid.org\/0000-0002-5476-4917<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 35.1064%\"><strong>Obszar naukowy<\/strong><\/td>\n<td style=\"width: 68.4397%\">nauki o kulturze i religii<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 35.1064%\"><strong>Stanowisko<\/strong><\/td>\n<td style=\"width: 68.4397%\">profesor uczelni<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 35.1064%\"><strong>Numer pokoju w IKSI<\/strong><\/td>\n<td style=\"width: 68.4397%\">3.620<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 35.1064%\"><strong>E-mail<\/strong><\/td>\n<td style=\"width: 68.4397%\">tlysak@uw.edu.pl<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 35.1064%\"><strong>Dy\u017cur<\/strong><\/td>\n<td style=\"width: 68.4397%\" width=\"302\">Czwartek 10:15 &#8211; 11:15<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Przebieg kariery\">\n<ul>\n<li>doktor habilitowany nauk humanistycznych w zakresie kulturoznawstwa, Uniwersytet Warszawski, 2018<\/li>\n<li>doktor filozofii, IFIS PAN, 2007<\/li>\n<li>magister filologii polskiej, Uniwersytet Warszawski 2002<\/li>\n<li>magister filologii angielskiej, Uniwersytet Warszawski 2001<\/li>\n<\/ul>\n<\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Zainteresowania naukowe\">\n<ul>\n<li>reprezentacje Zag\u0142ady \u017byd\u00f3w w r\u00f3\u017cnych mediach (film, fotografia, sztuka)<\/li>\n<li>psychoanaliza (teoria traumy)<\/li>\n<li>nowe media<\/li>\n<li>t\u0142umaczenia humanistyczne<\/li>\n<li>kultura popularna<\/li>\n<\/ul>\n<\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Wybrane publikacje\">\n<div class=\"su-table su-table-responsive su-table-alternate su-table-fixed\">\n<table style=\"width: 100%\">\n<tbody>\n<tr>\n<td style=\"width: 11.2583%\"><strong>Ksi\u0105\u017cki<\/strong><\/td>\n<td style=\"width: 87.6821%\" width=\"438\">\n<ul>\n<li>\u0141ysak, T. (2016), Od kroniki do filmu posttraumatycznego \u2013 filmy dokumentalne o Zag\u0142adzie, Warszawa.<\/li>\n<li>\u0141ysak, T. (red.) (2015), Antologia studi\u00f3w nad traum\u0105, Krak\u00f3w.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.2583%\"><strong>Rozdzia\u0142y<\/strong><\/td>\n<td style=\"width: 87.6821%\">\n<ul>\n<li>\u0141ysak, T. (2016), Archivfotografien in Dokumentarfilmen \u00fcber die Shoah, prze\u0142. Bernhard Hartmann, (w:) M. Marszalek, D. Mersch (red.) Seien wir realistisch. Neue Realismen und Dokumentarismen in Philosophie und Kunst, Berlin i Z\u00fcrich, s. 307-338.<\/li>\n<li>\u0141ysak, T. (2015), Wilhelm Brasse&#8217;s Photographs from Auschwitz: Testimony and Photography in Irek Dobrowolski&#8217;s &#8218;The Portraitist&#8216;, (w:) Gerd Bayer, Oleksandr Kobrynskyy (red.), Holocaust Cinema in the Twenty-First Century: Images, Memory, and the Ethics of Representation, New York, s. 95-113.<\/li>\n<li>\u0141ysak, T. (2014), Artistic Interventions: from Commemorating Post-Holocaust Losses to Carving a Space for Jewish Life in Poland, (w:) J.W. Boyer, B. Molden (red.), Eutropes: The Paradox of European Empire, Parisian Notebooks vol. 7, Paris, Chicago, s. 162-182.<\/li>\n<li>\u0141ysak, T. (2014), Humor a Zag\u0142ada \u2013 drugopokoleniowe komedie stand-up na tle popularnych reprezentacji Holokaustu, w Tropy literatury i kultury popularnej, S\u0142awomir Bury\u0142a, Lidia G\u0105sowska i Danuta Ossowska (red.), IBL PAN, Warszawa, s. 65-83.<\/li>\n<li>\u0141ysak, T. (2010), Strategies of Recall: Post-1989 Polish Documentary and Artistic Films on the Holocaust, (w:) M. Marsza\u0142ek, A. Molisak (red.) Erkundungen, Verhandlungen, Interventionen: Wie in Ostmitteleuropa nach 1989 an den Holocaust erinnert wird (Literatur, Kunst, Film, Alltag), Berlin, s. 115-36.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.2583%\"><strong>Artyku\u0142y<\/strong><\/td>\n<td style=\"width: 87.6821%\">\n<ul>\n<li>\u0141ysak, T. (2019), Jak by\u0107 kochan\u0105: Kulturowe zapo\u015bredniczenie traumy wojennej w filmach z lat 60., (w:) \u201eKwartalnik Filmowy\u201d nr 105\/106, s. 6-22.<\/li>\n<li>\u0141ysak, T. (2016), The Posthumous Life of Nazi Propaganda: Postwar Films on the Warsaw Ghetto, (w:) \u201eApparatus. Film, Media and Digital Cultures in Central and Eastern Europe\u201d, Ghetto Films and Their Afterlife. Special Issue, N. Drubek (red.), No. 2, http:\/\/dx.doi.org\/10.17892\/app.2016.0002.17.<\/li>\n<li>\u0141ysak, T. (2013), Reconstruction or Creation? The Liberation of a Concentration Camp in Andrzej Wajda&#8217;s &#8218;Landscape After Battle&#8216;, (w:) \u201eSlovo\u201d vol. 25, no. 1, s. 31-47.<\/li>\n<li>\u0141ysak, T. (2012), Jakiej historii potrzeba? Tematyka obozowa w zapomnianych tekstach Andrzeja Brychta i Tadeusza Ho\u0142uja. Na marginesie filmowych adaptacji, (w:) \u201eKwartalnik Filmowy\u201d nr 77-78, s. 168-84.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Linki do osobistych profili naukowych\/zawodowych\">\n<ul>\n<li><a href=\"https:\/\/uw.academia.edu\/Tomasz%C5%81ysak\">https:\/\/uw.academia.edu\/Tomasz%C5%81ysak<\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Wi\u0119cej\"><\/div><\/div><\/div><div class=\"su-tabs su-tabs-style-default su-tabs-mobile-scroll su-tabs-vertical\" data-active=\"1\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-tabs-nav\"><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Informacje<\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Przebieg kariery<\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Zainteresowania naukowe<\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Wybrane publikacje<\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Linki do osobistych profili naukowych\/zawodowych<\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Wi\u0119cej<\/span><\/div><div class=\"su-tabs-panes\"><div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Informacje\">\n<div class=\"su-table su-table-responsive su-table-alternate su-table-fixed\">\n<table style=\"width: 20.8011%\">\n<tbody>\n<tr>\n<td style=\"width: 35.1064%\"><strong>ORCID<\/strong><\/td>\n<td style=\"width: 68.4397%\"><a href=\"https:\/\/orcid.org\/0000-0002-5476-4917\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/orcid.org\/0000-0002-5476-4917<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 35.1064%\"><strong>Obszar naukowy<\/strong><\/td>\n<td style=\"width: 68.4397%\">nauki o kulturze i religii<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 35.1064%\"><strong>Stanowisko<\/strong><\/td>\n<td style=\"width: 68.4397%\">profesor uczelni<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 35.1064%\"><strong>Numer pokoju w IKSI<\/strong><\/td>\n<td style=\"width: 68.4397%\">3.620<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 35.1064%\"><strong>E-mail<\/strong><\/td>\n<td style=\"width: 68.4397%\">tlysak@uw.edu.pl<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 35.1064%\"><strong>Dy\u017cur<\/strong><\/td>\n<td style=\"width: 68.4397%\" width=\"302\">Czwartek 10:15 &#8211; 11:15<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Przebieg kariery\">\n<ul>\n<li>doktor habilitowany nauk humanistycznych w zakresie kulturoznawstwa, Uniwersytet Warszawski, 2018<\/li>\n<li>doktor filozofii, IFIS PAN, 2007<\/li>\n<li>magister filologii polskiej, Uniwersytet Warszawski 2002<\/li>\n<li>magister filologii angielskiej, Uniwersytet Warszawski 2001<\/li>\n<\/ul>\n<\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Zainteresowania naukowe\">\n<ul>\n<li>reprezentacje Zag\u0142ady \u017byd\u00f3w w r\u00f3\u017cnych mediach (film, fotografia, sztuka)<\/li>\n<li>psychoanaliza (teoria traumy)<\/li>\n<li>nowe media<\/li>\n<li>t\u0142umaczenia humanistyczne<\/li>\n<li>kultura popularna<\/li>\n<\/ul>\n<\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Wybrane publikacje\">\n<div class=\"su-table su-table-responsive su-table-alternate su-table-fixed\">\n<table style=\"width: 100%\">\n<tbody>\n<tr>\n<td style=\"width: 11.2583%\"><strong>Ksi\u0105\u017cki<\/strong><\/td>\n<td style=\"width: 87.6821%\" width=\"438\">\n<ul>\n<li>\u0141ysak, T. (2016), Od kroniki do filmu posttraumatycznego \u2013 filmy dokumentalne o Zag\u0142adzie, Warszawa.<\/li>\n<li>\u0141ysak, T. (red.) (2015), Antologia studi\u00f3w nad traum\u0105, Krak\u00f3w.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.2583%\"><strong>Rozdzia\u0142y<\/strong><\/td>\n<td style=\"width: 87.6821%\">\n<ul>\n<li>\u0141ysak, T. (2016), Archivfotografien in Dokumentarfilmen \u00fcber die Shoah, prze\u0142. Bernhard Hartmann, (w:) M. Marszalek, D. Mersch (red.) Seien wir realistisch. Neue Realismen und Dokumentarismen in Philosophie und Kunst, Berlin i Z\u00fcrich, s. 307-338.<\/li>\n<li>\u0141ysak, T. (2015), Wilhelm Brasse&#8217;s Photographs from Auschwitz: Testimony and Photography in Irek Dobrowolski&#8217;s &#8218;The Portraitist&#8216;, (w:) Gerd Bayer, Oleksandr Kobrynskyy (red.), Holocaust Cinema in the Twenty-First Century: Images, Memory, and the Ethics of Representation, New York, s. 95-113.<\/li>\n<li>\u0141ysak, T. (2014), Artistic Interventions: from Commemorating Post-Holocaust Losses to Carving a Space for Jewish Life in Poland, (w:) J.W. Boyer, B. Molden (red.), Eutropes: The Paradox of European Empire, Parisian Notebooks vol. 7, Paris, Chicago, s. 162-182.<\/li>\n<li>\u0141ysak, T. (2014), Humor a Zag\u0142ada \u2013 drugopokoleniowe komedie stand-up na tle popularnych reprezentacji Holokaustu, w Tropy literatury i kultury popularnej, S\u0142awomir Bury\u0142a, Lidia G\u0105sowska i Danuta Ossowska (red.), IBL PAN, Warszawa, s. 65-83.<\/li>\n<li>\u0141ysak, T. (2010), Strategies of Recall: Post-1989 Polish Documentary and Artistic Films on the Holocaust, (w:) M. Marsza\u0142ek, A. Molisak (red.) Erkundungen, Verhandlungen, Interventionen: Wie in Ostmitteleuropa nach 1989 an den Holocaust erinnert wird (Literatur, Kunst, Film, Alltag), Berlin, s. 115-36.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.2583%\"><strong>Artyku\u0142y<\/strong><\/td>\n<td style=\"width: 87.6821%\">\n<ul>\n<li>\u0141ysak, T. (2019), Jak by\u0107 kochan\u0105: Kulturowe zapo\u015bredniczenie traumy wojennej w filmach z lat 60., (w:) \u201eKwartalnik Filmowy\u201d nr 105\/106, s. 6-22.<\/li>\n<li>\u0141ysak, T. (2016), The Posthumous Life of Nazi Propaganda: Postwar Films on the Warsaw Ghetto, (w:) \u201eApparatus. Film, Media and Digital Cultures in Central and Eastern Europe\u201d, Ghetto Films and Their Afterlife. Special Issue, N. Drubek (red.), No. 2, http:\/\/dx.doi.org\/10.17892\/app.2016.0002.17.<\/li>\n<li>\u0141ysak, T. (2013), Reconstruction or Creation? The Liberation of a Concentration Camp in Andrzej Wajda&#8217;s &#8218;Landscape After Battle&#8216;, (w:) \u201eSlovo\u201d vol. 25, no. 1, s. 31-47.<\/li>\n<li>\u0141ysak, T. (2012), Jakiej historii potrzeba? Tematyka obozowa w zapomnianych tekstach Andrzeja Brychta i Tadeusza Ho\u0142uja. Na marginesie filmowych adaptacji, (w:) \u201eKwartalnik Filmowy\u201d nr 77-78, s. 168-84.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Linki do osobistych profili naukowych\/zawodowych\">\n<ul>\n<li><a href=\"https:\/\/uw.academia.edu\/Tomasz%C5%81ysak\">https:\/\/uw.academia.edu\/Tomasz%C5%81ysak<\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Wi\u0119cej\"><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":872,"featured_media":0,"parent":55,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mc_calendar":[],"_links_to":"","_links_to_target":""},"acf":[],"_links":{"self":[{"href":"http:\/\/iksi.uw.edu.pl\/de\/wp-json\/wp\/v2\/pages\/682"}],"collection":[{"href":"http:\/\/iksi.uw.edu.pl\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/iksi.uw.edu.pl\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/iksi.uw.edu.pl\/de\/wp-json\/wp\/v2\/users\/872"}],"replies":[{"embeddable":true,"href":"http:\/\/iksi.uw.edu.pl\/de\/wp-json\/wp\/v2\/comments?post=682"}],"version-history":[{"count":21,"href":"http:\/\/iksi.uw.edu.pl\/de\/wp-json\/wp\/v2\/pages\/682\/revisions"}],"predecessor-version":[{"id":10657,"href":"http:\/\/iksi.uw.edu.pl\/de\/wp-json\/wp\/v2\/pages\/682\/revisions\/10657"}],"up":[{"embeddable":true,"href":"http:\/\/iksi.uw.edu.pl\/de\/wp-json\/wp\/v2\/pages\/55"}],"wp:attachment":[{"href":"http:\/\/iksi.uw.edu.pl\/de\/wp-json\/wp\/v2\/media?parent=682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}